Freedom!

A quickie while I'm here.

I have deleted my Facebook account so as to free up more time and stop getting so utterly confused by it. Life is too short! I can write interesting emails to individuals more quickly and efficiently than getting caught in the quagmire that FB was dishing up with increasing complexity. I am free of it!

So please - email me, follow my blog, tell me about yours. mrs.bern.ross@googlemail.com

Reclining Lady

 At last I can get to my easel - just. Clambering over boxes and canvases that have been misplaced and brought back from exhibitions here there and everywhere. I'm pleased to have my babies back and pleased to have found good homes for the ones that were bought.

The model for this reclining lady loved the painting before her outline even arrived on it!  This isn't quite finished: I'm not happy with the line of her hips.But I do love the marks around her hairline and want to achieve this elsewhere on the painting.

By the way, it is created in oils on an acrylic background and the best effect was achieved when painting with my fingers. Must get back to it...

Prolific or What!

I seem to have been quiet on here recently but it's only because taking photos and changing gear inside my head to explain what I've been doing is too much to ask when I've been so very busy!

The first three images below show what I've started today and the rest are various details from pieces I've recently displayed on Affordable British Art

....Inside one of the boats!

This little figure on the beach is a revision - long awaited but well worth it. Soon to go back on my Affordable British Art Gallery.

Detail from 'Dunnottar Afar'

Detail from the textures on Fidget (lady in blue).

I've also been writing a press release for South Aberdeenshire Abstracts and starting a sewing project for someone as well as 'keeping the home fires burning' as they say. There are not enough hours in the day!
Enjoy.

Triptych

On its way...

Started with a lovely mess...

Progressing with an even greater mess...


This is all you're going to see until I have finished all three.

Who knows how similar they will be?

Alongside my Paintings

With 3 exhibitions coming up (as well as a couple of paintings currently on show at Grassic Gibbon Centre in Arbuthnott) I'm trying to ensure things are finished. I need to make labels for everything and some notices about what's what; and I'm trying to ensure that each exhibition will have a good variety of my work as well as large and small pieces to suit as many visitors as possible.

Today I've been writing descriptions and making a display of photos of the projects I've done in the past. I've also taken stock of a few of the textile pieces I've been working on and here are a few of them, laid out on the spare bed.

They mean NOTHING until you see the real thing and you have to TOUCH them because they're meant to be tactile. I'm looking forward to getting them nicely displayed alongside my paintings.

One Leg of Jeans

A couple of years ago I received a request from a writer in Aberdeen who'd discovered a new mode of transport, especially good for whizzing around on the Beach Boulevard. Trouble was - he needed to carry it through the busy town! So he asked me to make him a shoulder bag especially taylored to hold his mini-scooter.

My client brought with him an old pair of jeans and  - yes - I only needed to use one leg. I designed it, sewed in the zip and the D-rings but he supplied the strap.

Never give up on an old pair of jeans!

Busy, busy, busy

Here are a few photos of projects I've worked on recently, excluding all the textile thingies I'm doing which you'll see at a later date.

This sculpture is entitled 'Daffodil' and I've wanted to complete it for about 40 years! I just never had the time or where-with-all to do it.

Really it needs to be on a plinth at shoulder height; but at last I've created it and that's what matters.

Daffodil is made from wood and wool.

I promised myself I would do some painting en plein air and this subject especially leant itself. Painting outside did me a lot of good and certainly loosened me up so that this picture began to work when I'd originally  thought it was going to be a disaster.

When I brought it indoors for some finishing touches I felt more free to paint what I wanted on it!



You can probably see (from my surroundings en plein air) why I have a penchant for messy organic-looking paintings.

In contrast, however, the clean stark lines of the sea, the crisp air and clear light we have here in N.E. Scotland all make me want to paint pictures that convey the purity of it all too.

Seeing this 'Harbour Lights 2' on thumbnail helps me realise the red harbour light needs to be bigger. Work in progress - ah... there's always work waiting to be done! Always, always.

Thanks for reading!

Urgency to paint instead of blog

Forward, in the general

direction of joy.

Sunshine brings on a painting.

Haiku inspired by Muffinmoon

Thanks Jules. Gotta dash, while I've got time! 

Sewing and Painting

I am filled with joy today because I have moved my sewing stuff out of my studio into a new small room, making space to paint without worrying about splashing!

Although talking of splashing ... this picture is going to be called something like 'In the Wake of the Good Ship Lollipop'.
.... And here is my new sewing room - tiny but very light and cosy and warm!

It's very tidy at the moment because I've only just started using it!

Popular Bags...

I'm pleased to say that the three bags I contributed to Izzy's craft fair, in support of her challenge for independence despite Type 1 diabetes, were very popular and sold straight away! She has a few more hundred pounds to raise before she can go off to the third world countries to do her volunteering but things are looking up and so am I.

Here's the type of thing I gave her.

These bags are VERY roomy, hardwearing, washable, with lots of pockets and each one is unique. They last for ages too.

Supporting the D Cause

Izzy Thomson is on the threshold of managing her own Diabetes Type 1 - not just in another country but far, far away. And before that she's doing all she can to get the money for her travels.

Along with several other artists and craftspeople I've donated some handmade pieces to Izzy's cause. It's going to be a fabulous exhibition so well worth a visit this weekend!

Life is scary enough as it is without having to check blood levels every ten minutes or two hours or whatever.

Log Book

I'm so busy at the mo. that putting photos on here and trying to put into words what I'm doing takes up too much time. It feels like wasted time to be on the computer a lot ...

Since the new year i.e. 1st January or thereabouts I've been keeping a note of all the stuff I create in this lovely little notebook.

As you can see, it's leather bound and hand-sized, and I keep it near the place I sit in the lounge along with my puppy-shaped pencil case. In any spare moment I jot down what I've been doing and it's proving to be a useful aide memoire as well as revealing how some paintings seem to be finished with a title and then become more complete with a new title a few days or weeks later.

The notebook was a small Christmas gift from a friend. It's better than a computer any time!

Plans are coming together

For eight days in September, NEOS 2011, I shall be exhibiting paintings and who-knows-what-else at Johnshaven Gallery in Main Street, Johnshaven. I am very excited! It's a beautiful village where very many artists, potters, jewellers and sculptors live and they open up their studios especially for the event. I am most honoured to be invited to the jeweller Ranjit Barry's gallery to adorn her walls and create some additional interest.

The entry in the brochure will say, "Visit the recently renovated Johnshaven Gallery where resident glass artist and jewellery designer‚ Ranjit Barry‚ will be displaying her work in fused glass‚ semi-precious gemstones and crystals alongside the handcrafted cards of Leiana Henderson and Bern Ross‚ painter‚ author and textile artist. Bern is known for turning the ordinary into something extraordinary - who knows what may happen?"

As well as showing paintings this is giving me the opportunity of showing some of what I do in the way of Textile Art so ... watch this space for a few hints of what's to come!

Is it My Imagination?

Like many artists I find it really difficult, sometimes, to know when a painting is finished. Especially the small ones. This one, for example, has been feeling 'finished' almost since the white texture went on it. White on black - it conveyed so much that nothing else was needed... except it did need some white paint on top of the texture and that spoiled the immediacy of it so I brought in some grey shadows and light (weight) touches of purple and alizarin red.

As I looked at it I was certain I was standing before a snow-laden hill in darkness, asking my companion, in exhaustion, "Are we nearly there?"

But back in the reality of my studio I am looking at a canvas and wondering if my imagination is too vivid for my own good, so I've taken a photo of it - and a close-up - to try and become more objective about it.

Are We Nearly There? 30cms x 24cms [Is it finished?]

(Detail)

Borders and Backing

Until a few months ago I always saw it as yet another constraint. I used to have to cut mounts at college many years ago and it was a nightmare with a small craft knife and metal ruler; but recently I considered the idea of buying a proper mount cutter and, once I started looking into it, there really wasn't a problem but just another challenge.

And then a generous friend told me that she does her own mount-cutting and that I could go to her house for a cuppa and a demonstration. Well there was no stopping me after that, and I bought a mountcutter that's similar to the one I tried at her house.

I am now busy creating borders and backing sheets for many of my drawings, particularly the life drawings which are really rather precious to me and deserve to be presented and preserved as well as sold to appreciative art lovers.

Here's the drawing that inspired 'Lady In Red'.

Exciting New Work

Like most other artists, I always work on several ideas at the same time. It's great to have something that needs finishing, especially when I know what it needs. It's great, too, to have a new canvas (or even a used one) that requires covering with whatever I feel like putting on it! And I love the challenge of 'making it work' when something I've created doesn't look right and needs some attention.

Here is one of my popular line drawings, normally created on paper in a smooth flowing black line during a hunch of inspiration; but this one is on canvas - simple, clean, lightweight and ready to hang with a cord or with mirror-plates. It is a black oil paint line on a white vinyl silk background. It needs a little more work on it (I have an idea...) but I have to wait for the oil paint to dry before I can try it.

36" x 14" standard canvas

And this red canvas has been prepared with texture and paint using ONLY MY HANDS as tools... You JUST WAIT to see what beauty adorns it now! .... soon to be displayed on my Affordable British Art Gallery

24" x 30" deep edge canvas

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Spring Into Colour with SABAB

I'm catching up with my blog today because I've been so busy in the past week going back and forth to Montrose (25+ miles from here) to help set up our South Aberdeenshire Abstracts (SABAB) exhibition called 'Spring Into Colour'.

Yesterday we had an 'opening event' so here are some photos, including a shot of yours truly which would be a good one if only I wasn't caught eating a cake!

The Scottish TV local website has been interested in what we do and its fab editor wrote a very good review of the show which you can read here  There are some pictures there too.

Detail

It's really difficult to get a good close-up photo of the texture on this painting!

... But the title I've given it is 'Wistful Moments'

Texture and Colour

It's only a start and it had gone wrong already at this stage, but here's some progress...

I was disappointed (but should've been aware!) at how impossible it was to apply the paint with my fingers or hands, thereby requiring a brush and thereby changing the initial effect I was looking for.

However, painting is a voyage of discovery - always - and this one is ready for some more work on it. I wonder how it will turn out? I'll show you a close-up next time, so as you see the fabulous texture.

Something's Cooking

Why else would I be using a colander and food bags in my studio?

To select fine sawdust from the coarse stuff, that's why; and then to sprinkle it over the canvas to create a fabulously rough texture base to paint on.

Watch this space. It's further ahead than this now but it's killing me to have to wait for the next layer to dry!