Slow Down and Look

I am a full-time artist working at home in Stonehaven, N.E. Scotland: selling work as a painter, writer and maker both online and through local exhibitions.

I am trained but prefer to remain UNTAMED, Unframed, Unconstrained and Unconventional. Here you will see art in progress: you can buy my finished paintings etc through the gallery link on the right ~ Bern Ross

Saturday 21 November 2009

Capturing an Atmosphere



I started this painting this morning and I'm happy with it already. Not that it's finished, of course it isn't; but this is definitely going to be a case where less is more.

Working upstairs in the cold, bundled up in layers of clothing and restricted in space to move around the easel (and use its flat-table facility) made me think about my dad.

The only space he could paint in, at one time in his life (there were worse, but this one I saw with my own eyes) was a dark garage in a row of six others. It was completely full of paintings - his life's work, as there was no room in the small house with us kids and an elderly aunt who he cared for as well - and his easel and stool were shoved up against the up-and-over door which had to be half-up to allow light in when he was painting. It didn't matter what the weather, snow, ice, rain, fog, he painted for as long as possible every day. Cyril Hamersma worked his socks off.

There will be a smattering of a bridge, cottages in the distance and who knows what before this painting is finished. But it's starting to feel right already.

Tuesday 17 November 2009

Happy Accidents

Bursting to paint but with practicalities holding me back, I've been making some small pastel studies from the photos I've taken in Skye.

Whilst waiting for the fixative to dry I went upstairs to print something on the computer and thought I'd bring down with me this troublesome picture which "isn't really me", although it would be if it was much bigger and more dramatic... What could I do with it? The plan was to take a photo and ask a good friend for impartial advice.



My pastels were still scattered on the floor so it felt right to try something which I'd earlier tried using a dark piece of cloth .... Nothing to lose as I could always wash it off again.

The result completely transformed the picture, giving it an atmosphere and moodiness that it deserves. Instead of washing it off, I've sprayed it with fixative to preserve it. The weird thing is that - so far anyway - the fixative has turned the blue to violet.


Here is a sample from it. There's more to be done to the picture before it's finished but it has definitely turned a corner and the purple is - well - a happy accident!